Alex G

Vectortone / Production Simple Presents

Alex G

LVL UP, Brandon Can't Dance

Sun, October 30, 2016

Doors: 7:00 pm / Show: 7:30 pm

Zanzabar

Louisville, KY

$10.00 - $12.00

Tickets at the Door

This event is all ages

Alex G
Alex G
Not long after he finished recording Beach Music, his seventh full-length and Domino debut, Alex Giannascoli found himself in unfamiliar territory. "I took the record to a studio," he says, "to get it mixed and mastered by some pros. But I was really nervous—usually, I'd just do everything myself and then put it out myself. I have this really precise vision and the best understanding of what I want to do."

Over the course of six self-recorded and mostly self-released LPs, that vision has come to bear in frequently breathtaking, innately melodic forms. As Alex G, the Philadelphian singer-songwriter has built and feverishly shared a body of work unassuming in its presentation but astounding in its depth, a stream of recordings so rich and expansive that settling on a favorite song is nearly impossible: The moment you finally choose one, you discover another you hadn't heard yet.

Beach Music was written and recorded in Giannascoli's apartment, between the Fall of 2014 and the Spring of 2015, during breaks from touring with the likes of Elvis Depressedly, Cymbals Eat Guitars, and Gardens & Villa. While its predecessors often came in uninterrupted bursts—from his head to his Bandcamp page in a matter of hours and days—Beach Music was shaped in part by Giannascoli adapting to life as a touring musician. Songs were written within months of one another rather than all at once, with influences ranging from noise music to piano-based laments to Southern rock to the rhythmic focus of techno—whatever he happened to be most interested in at the time. "Every song is coming from a different place," he says. "It branches off in all these directions, but it has its own sound. It's not something I do intentionally, but I'm the common thread."

The result is Giannascoli's most cohesive and beautiful work to date, as heard in the iridescent guitars of "Bug," the starlit whispers of "Mud," and the singularly strange harmonics of "Brite Boy." Some feature parts of songs that he began writing as a kid; all are haunting additions to a songbook whose rewards continue to evolve and multiply with every listen. "I wanted this album to sound really warm and unpretentious and unfiltered," he says. "I wanted to make music that was completely honest, music that was coming really naturally to me. I don't know what or who I am if I'm not writing songs."
LVL UP
"Hidden Driver," the opening track of LVL UP's third album and Sub Pop debut Return to Love, never stops moving. What starts with unassuming guitars and vocals adds new lines, depths, and intensity, until its unrestrained, triumphant finish. "God is peeking, softly speaking," repeats the chorus, working through the relationship between spirituality and creative inspiration, and introducing a band that is always pushing further.

LVL UP – guitarists Mike Caridi and Dave Benton, bassist Nick Corbo, and drummer Greg Rutkin – is a true collaboration, a band that takes the stylistically distinct ideas of four members and brings them together into something new. Caridi, Benton, and Corbo write and sing equally, bringing their work to the group to be fully realized, resulting in an album built on different perspectives but a common drive.

"We have very different inspirations across the board," says Benton, noting his own admiration for the writer and documentarian Astra Taylor, Corbo's interest in the mystical and the occult, and Caridi's attention to personal storytelling. The music itself grows from a shared melodic and experimental sensibility, as well as a nod to iconic influences like Neutral Milk Hotel and Mount Eerie. But each songwriter has a different vision every step of the way, and there isn't always alignment–it shouldn't make sense, but in the end it does.

LVL UP was formed in 2011 at SUNY Purchase as a recording project between Caridi, Benton, and their friend Ben Smith, with the original intention of releasing a split cassette with Corbo's then-solo material. They instead released that album, Space Brothers, as one band, and Rutkin joined shortly afterwards for the group's first show. Smith left the band for personal reasons just before the release of second album Hoodwink'd, a joint release on Caridi and Benton's label Double Double Whammy and Exploding in Sound. DDW also put out records from other artists in the tight-knit community that launched the band.

"There's not really a town associated with the school, so there's no bar or club that you could go play in easily," says Corbo. "But there was a student center on campus that was all student run. That was a great place to play, and also take care of a lot of practical issues like a place to put your stuff and a place to practice weekly. It was almost like an incubator situation for us and a lot of other bands – it gave us a little bit of experience and confidence, so it wasn't as scary when we decided to go on tour for the first time."

Also part of that university community was Return to Love's producer Mike Ditrio, who mixed LVL UP's previous records and "was basically a fifth member of the band," says Corbo. "He played a huge role in developing the sound, without butting in too much. He also navigated our personal dynamic really nicely."

That sound is marked by reverb, harmony and tape distortion, with a keen balance of pop and experimentation. From the fast yet flowing lines of "Blur" to the all-consuming wall of guitar in "The Closing Door," each song pushes and pulls in compelling, unexpected ways. There's deliberation as well as spontaneity – the latter developed with the help of a song-a-day project, which pushed Caridi and Corbo to write and record full songs in a single day. Some of that material, including "Naked in the River with the Creator," made it onto the album.

"I ultimately made this half-drone, half-really loud guitar song, because it was an idea I had floating around in my head but never got around to doing until I had to write a song in a day," says Corbo. "The thing that pulled me through was grasping onto words and images, but instead of pulling from an infinite sea of all the images that you could pull from, it's easier to constrict yourself a little bit."
Brandon Can't Dance
Brandon Can't Dance combines catchy experimental dark melodies, hypnotic drums, and a haunting vocal range. What now has become the main recording focus of Brandon Ayres (also member of Rasputin's Secret Police, and Gorgeous) started out as a side project looping guitar, electric drums, keyboard and vocals for fun turned out to be a hit with friends and show goers alike. Now focused on solid song exploration and influenced by just about everything in music, there is a song for everyone to enjoy.
Venue Information:
Zanzabar
2100 South Preston Street
Louisville, KY, 40217
http://www.zanzabarlouisville.com/